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Horse Movies
Movies and DVDs about horses, horseback riding and equine events.
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The Horse Soldiers
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| The Horse Soldiers |
| This latter-day sort-of Western from John Ford--falling midway between The Searchers and The Man Who Shot Liberty Valance--is a crisp retelling of a true-life episode from the Civil War. In 1863 a Union colonel named Grierson (Marlowe in the film, and John Wayne by any name) led his cavalry several hundred miles behind Confederate lines to cut the railroad between Newton Station and soon-to-be-embattled Vicksburg. Grierson's Raid was as successful as it was daring, and remarkably bloodless. Never fear that the screenplay makes up for that un-Hollywood lapse--as well as supplying amatory distraction for the colonel in the form of a feisty Southern belle (Constance Towers) who has to be dragged along to protect secrecy. There's a certain amount of bombast in the running arguments about wartime ethics between Marlowe and the new regimental surgeon (William Holden), who don't take to each other at all. But Ford more than makes up for it with such tasty scenes as an encounter with a couple of redneck Rebel deserters (Denver Pyle and Strother Martin), an ethereal swamp crossing led by a cornpone deacon (Hank Worden), and above all the famous skirmish with a hillside full of grade-school cadets from a venerable military academy. The film ends rather abruptly because Ford abandoned a climactic battle scene--the veteran stunt man and bit player Fred Kennedy having been killed in a horse fall. Golden-age cowboy star Hoot Gibson, who acted in Ford's directorial debut, Straight Shooting, appears as Sergeant Brown. --Richard T. Jameson
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The Horse Whisperer
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| The Horse Whisperer |
Although it's best viewed on a big theatrical screen to take full advantage of Robert Richardson's breathtaking widescreen cinematography, it seems likely that most people will see this classy romance in the comfort of their own homes. Adapted from the bestseller by Nicholas Evans and directed by Robert Redford, the film did respectable business at the box-office, but it was too sprawling and too soapy to be a bona fide hit. Redford stars as the title character, a Montana rancher named Tom Booker, who possesses the specialized talent of healing traumatized horses through careful and affectionate rehabilitation. He gets his most challenging case when he's sought out by a fast-lane New York magazine editor (Kristin Scott Thomas, in a role modeled after former New Yorker editor Tina Brown) whose daughter (Scarlett Johansson) was injured and traumatized by an accident that nearly killed her favorite horse. When mother, daughter, and horse arrive at Booker's ranch, the big-city editor falls in love with the serene rancher and faces the painful decision of whether to stay in Montana or return to her husband (Sam Neill) in New York. Some may find this to be much ado about nothing, and comparisons to The Bridges of Madison County are inevitable, but Redford's directorial approach offers the kind of graceful stature, tenderness, and intelligence required to elevate the simple story. The film takes all the time it needs to let its characters heal and make their important decisions, and that alone makes it a refreshing alternative to the frantic pace of most big-studio productions. --Jeff Shannon
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Dances with Wolves (Full Screen Theatrical Edition)
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| Dances with Wolves (Full Screen Theatrical Edition) |
Kevin Costner's 1990 epic won a bundle of Oscars for a moving, engrossing story of a white soldier (Costner) who singlehandedly mans a post in the 1870 Dakotas, and becomes a part of the Lakota Sioux community who live nearby. The film may not be a masterpiece, but it is far more than the sum of good intentions. The characters are strong, the development of relationships is both ambitious and careful, the love story between Costner and Mary McDonnell's character is captivating. Only the third-act portrait of white intruders as morons feels overbearing, but even that leads to a terribly moving conclusion. Costner's direction is assured, the balance of action and intimacy is perfect--what more could anyone want outside of an unqualified masterpiece? --Tom Keogh
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Spirit - Stallion of the Cimarron (Full Screen Edition)
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| Spirit - Stallion of the Cimarron (Full Screen Edition) |
Horse lovers young and old will celebrate this utterly enjoyable and marvelous-looking animated film. The titular stallion runs free in the Cimarron (New Mexico) wilderness until a series of men try to master the proud horse, leading to adventures through a U.S. Cavalry fort, Native American settlements, and a railroad camp. Despite a heavy dose of political correctness and realism (the animals don't talk; we only hear Spirit's internal monologue, voiced by Matt Damon), directors Kelly Asbury and Lorna Cook give their hero many only-in-a-movie moments, including an action sequence rivaling any of Rambo's escapes. The stirring mix of 2-D and 3-D animation is absolutely stunning and aptly fueled by composer Hans Zimmer's synthesized score. The film earns one demerit for '80s rocker Bryan Adams's abundant songs--a different singer could have brought more to the film. Rated G but there is some rough treatment of horses shown, so nix the sensitive preschoolers. --Doug Thomas
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A Man Called Horse
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| A Man Called Horse |
American Indians were a "cool" factor in 1970 cinema, the year A Man Called Horse made its vigorous, feverishly real, and occasionally shocking debut alongside Little Big Man and Soldier Blue. Unlike the latter two films, however, Horse is less an allegory for Vietnam-era America and more of a vision quest for historical identity. In one of his defining roles, Richard Harris plays an English aristocrat captured by Dakota Sioux in 1825. Over time, he adopts their way of life and eventually becomes tribal leader--but not before undergoing savage initiation rituals, the most famous of which involves being suspended by blades inserted beneath Harris's pectoral muscles. Horse looks clunky, quaint, and inadvertently demeaning in some respects today, but the film's Native American milieu is at least defined on its own terms, i.e., whole cloth and apart from familiar Western conventions. The real draw is Harris, whose performance has a soulful integrity. --Tom Keogh
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The Horse in the Gray Flannel Suit
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| The Horse in the Gray Flannel Suit |
Dean Jones has a typical '60s occupation: ad man. Widower Fred Bolton is in need of a fantastic campaign to promote the stomach pill Aspercel. And in typical Disney get-a-kid-and-animal-in-there fashion, he makes the contrived decision to accommodate his sweet teen daughter Helen's longing for a horse, and advance the elusive ad campaign. Fred figures if he and Helen (Ellen Janov, in her only film role) can make a champion of the horse (now named, you guessed it, Aspercel), the name will get in the papers and Helen will have her horse. Complications arise when Helen reveals she hates riding in shows. Fortunately, her riding teacher, the beautiful Suzie Clemens (underrated Diane Baker), agrees to take up the cause, and sparks a little romance with the ambitious dad. The trio have a challenging competition and Suzie's ex, the wealthy and conceited Archer Madison (Lloyd Bochner, in a role he played often), to deal with, but as with all Disney films, good and earnest triumphs over smug and self-satisfied. Look for a young Kurt Russell, who has little to do but grace the movie (and Helen) with a little teen idolness. His introduction into the film--driving a red convertible MG--is hilarious. A sweet, easy-to-watch, harmless--if a little forgettable--film. (Ages 4 and older) --N.F. Mendoza
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Spirit - Stallion of the Cimarron (Widescreen Edition)
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| Spirit - Stallion of the Cimarron (Widescreen Edition) |
Horse lovers young and old will celebrate this utterly enjoyable and marvelous-looking animated film. The titular stallion runs free in the Cimarron (New Mexico) wilderness until a series of men try to master the proud horse, leading to adventures through a U.S. Cavalry fort, Native American settlements, and a railroad camp. Despite a heavy dose of political correctness and realism (the animals don't talk; we only hear Spirit's internal monologue, voiced by Matt Damon), directors Kelly Asbury and Lorna Cook give their hero many only-in-a-movie moments, including an action sequence rivaling any of Rambo's escapes. The stirring mix of 2-D and 3-D animation is absolutely stunning and aptly fueled by composer Hans Zimmer's synthesized score. The film earns one demerit for '80s rocker Bryan Adams's abundant songs--a different singer could have brought more to the film. Rated G but there is some rough treatment of horses shown, so nix the sensitive preschoolers. --Doug Thomas
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Horse Crazy
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Saddle Club - Horse Crazy - The New Movie
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Hitting It Off with Your Horse: Understanding and Influencing Character and Personality
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Riding the Icelandic Horse
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Spectator - Behind the Scenes of a Horse Show
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Death Rides A Horse
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The Littlest Horse Thieves
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The Rocking Horse Winner
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| The Rocking Horse Winner |
Like the classic D.H. Lawrence story it's based upon, The Rocking Horse Winner is timeless and disturbingly effective. One of only seven films directed by Anthony Pelissier, this beautifully atmospheric British production ranks as the definitive filming of Lawrence's oft-adapted story, made shortly after David Lean's Oliver Twist and Great Expectations and featuring some of the same actors. John Howard Davies--excellent as Oliver in Lean's film--is equally fine as the young boy who obsessively rides his new rocking horse, mysteriously gaining the ability to predict winners of actual horse races. This rescues his profligate mother (Valerie Hobson) from financial ruin, but her reckless materialism is inevitably marred by tragedy. Although British censors slightly softened the tragic blow that ends Lawrence's story (included in its entirety in the DVD booklet), its impact is not diminished. With John Mills in a pivotal role as producer and costar, this is a masterful film not to be missed. --Jeff Shannon
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Navajo Blues
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Wild Horse Phantom
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Easy 2 Draw Horses with Cordi
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